Name: Bachelor of Creative Technologies (Game Art)
Price: 11990 NZD

Qualification

Three Academic Years

Degree, NZQF Level 7 (420 Credits, 1.2 EFTS per year)

Start Dates

17 February 2025

14 July 2025

23 February 2026

Course Fees (Year 1. See fees information.)

Domestic $12,300.00 NZD

International $34,550.00 NZD

Admission Requirements

NCEA Level 3, CIE or IB University Entrance or Level 4 or higher Qualification from related discipline (not required for students 20+)

Full details including discretionary entrance based on Level 2 Excellence Endorsement can be found here.

Study On Campus or Online

Portfolio Requirements

General Portfolio (3D models or visualisations favoured)

Study On Campus or Online

Click here to access key information about this qualification

Study Mode

3 Years (Full time)
Flexible part time (up to 8 years)

Full time Part time

Study on campus Study online

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Develop immersive experiences

From 2D platformers to 3D brawlers, you’ll be devising and creating your own interactive stories, digital illustrations, concept art and games that will be viewed by an international audience of game enthusiasts.

Within the first sixteen weeks of your first year, you’ll have created your very own 2D game and, by the time you’ve finished your degree, you’ll have collaborated with other game artists and programmers to develop an industry-quality game. Thanks to our Girls in Games events, we’ll make sure that everyone gets a fair shot at achieving their dreams, with close to 50% of our year 1 cohort identifying as women in 2022!

Why study Game Art?

You should study Game Art if you are passionate about creating worlds, characters, and interfaces that exist within the context of a video game. By studying Game Art, you will learn how to design beautiful and immersive environments and believable characters, and then combine those elements to deliver a gaming experience that people will cherish.

What you'll cover in this course

The first year delivers a solid grounding, including 3D modelling and creating 2D & 3D visual assets. Creative problem solving is underpinned by the basic theories, philosophies, and the history of technology.

Component Name	Credits	Toggle
Game Design Principles	20
Here students are introduced to game design foundations, techniques and paradigms through a series of lecture-led and student-led activities. Game design principles are explored through the analysis of existing game artefacts, applying those findings to the development of their own games. Students are introduced to a variety of analysis, development and presentation techniques encouraging discussion, creation and dissemination of their design choices through prototyping and documentation. Level 5 GDV110 PC3993

Art and Design Foundation	30
Art and Design Foundation utilises traditional art theories and practices as a means of underpinning student research into the creation of art and graphic design artefacts. This understanding allows students to produce graphics that are effective in visual communication, understand form, and articulate their ideas. At the end of this component the necessary skills and theoretical foundations of traditional art practices should be evident in the work generated by the student over the course of the year. Level 5 GAT110 PC3993

2D Visual Asset Generation	15
This component utilises traditional art theories and design foundations and makes them relevance in the digital domain. Students create digital artefacts for a variety of outcomes, including concept, pixel and vector art, sprite creation and other digital native formats utilised in the production of video game development. As part of this component, students learn to critique and to be critiqued by peers and lecturers alike in order to understand art and design from a variety of perspectives. Level 5 GAT120 PC3993

3D Visual Asset Generation	30
Here students expand on knowledge gained in the GAT120 course and will utilise industry standard 3D modelling tools and techniques to communicate complex ideas and emotions. Students will critique artefacts that utilise the concepts of form, function, and silhouette learned in previous components. Level 5 GAT140 PC3993

Game Production Foundation	15
2D art assets and basic scripting are combined in this component, enabling students to recognize how art, design and code impact on the user experience. Utilising game development techniques and tools, students will create their own arcade style games, requiring a multifaceted approach including project management, art and design theory, user interaction, menu systems, audio integration, scripting, game design and release. These trans-disciplinary artefacts scaffold the student’s knowledge for the second year of study, when they will interact with the Bachelor of Software Engineering students. Level 5 GAT130 PC3993

Creative Technologies: Game Studies I	15
Game Studies I offers an introduction to the study of video games as texts situated within wider cultural and theoretical settings. Students will explore the history of video games as creative technologies and as cultural artefacts. These ideas will be framed through critical analysis of specific case studies, informed by a wider reading of contemporary games scholarship. Level 5 GAT160 PC3993

Technical Art I	15
Technical Art I introduces techniques in content creation pipelines to deliver solutions involved in 3D game productions. The students will enhance their technical abilities by working with basic scripting, lighting, shaders, particles and various other pipeline elements utilised in interactive media. Level 5 GAT170 PC3993

By the second year, you will be able to design solutions to production problems. New topics are introduced, including the use of middleware and the principles of architecture and game environments.

Component Name	Credits	Toggle
People and Games	15
People and Games introduces students to nontechnical, human aspects of game development and the games industry. Through a series of lecture and seminar-based talks, discussions, and play sessions, students are encouraged to explore and discuss the wider context of the game industry in relation to the economic, social, and cultural determinants surrounding the production and consumption of games and games technology. Level 6 GDV210 PC3993

Rapid Game Prototype	20
This component provides students with an opportunity to work together on a series of projects, enhancing collaborative skills within a team of people across multiple disciplines. Additionally the assignments in this component will challenge the student in finding creative solutions to project management and small scale rapid game creation. Students will be asked to create three 3D game prototypes over the course of 15 weeks and in the final week (week 16) present their work in front of the class and post their work online. Level 6 GDV220 PC3993

Creative Technologies: Game Studies II	15
Game Studies II provides students a venue to explore the impact of entertainment media on society with structured analysis and interpretation. This look into society develops scholarly skills by encouraging students to engage and debate contemporary issues surrounding the production, dissemination, and consumption of interactive media. Level 6 GAT260 PC3993

Advanced 3D Modelling	30
Building upon the knowledge gained in the 3D Visual Asset Generation component, GAT240 teaches advanced modelling and texturing techniques to enhance workflow. Students will learn to 3D model utilising digital sculpting software. Additional topics covered will include how to retopologise models and utilise various tools to enhance production speed and quality. Students will also learn how to optimise their models for a variety of applications. Level 6 GDV240 PC3993

Technical Art II	15
Technical Art II teaches the process of how to create rigs and technical art for games. This will provide the student with the technical skills to solve or enhance art and design assets. Topics also covered in the class will include integration into game engines and basic scripting. Students will learn key terminology of how to optimise their technical art skills for a variety of applications. Level 6 GDV270 PC3993

Real Time Animation	30
Students will be taught the techniques used to create efficient animations for interactive media. In addition to animation theory, topics will also include prop, weapon, and environment animation, character and facial animation along with motion capture topics including cinematics and technical limitations. Level 6 GAT210 PC3993

Professional Practice and Communication	15
Professional Practice and Communication equips students with the necessary tools to create supporting documents needed in business and production methodologies. On successful completion students will be able to plan and manage a project through to completion, understand the basics of starting up a company, effectively communicate using a variety of media, and utilise their knowledge in creating a plan or strategy for a business and/or production. Students will undertake the creation of a curriculum vitae and various collateral, which will be used as a basis for future information sent out to prospective employers. Level 6 GDV230 PC3993

In the final year, both degree programmes collaborate on a major game production. This studio simulated environment tests individual skills, knowledge, and theory while giving students experience working within a team.

Component Name	Credits	Toggle
World Design	30
World Design provides a framework in which students can expand upon knowledge gained in previous components. The tools, practices, and technical knowledge provided in this component help students’ develop game environments that consider design, aesthetic, technical and social contexts to improve the believability of their artefacts. Students use the research opportunity and support provided on historical and fictional architectural movements to better convey a story through their design artefacts. Level 7 GAT320 PC3993

Creative Technologies: Game Studies III	20
Game Studies III uses the student’s ability to undertake scholarly research to further develop their knowledge of game development practices. This component allows the students to specify their own research topics; identify a critical position, with an aim of creating work that demonstrates evidence of research practice and methodology. This is an opportunity for students to pursue research in any game related field they desire with the output being either purely theoretical or supplemented by creative practice. Whilst weekly classes facilitate communication with the lecturer and the review of one another’s drafts and progress, it is a self-directed component with students responsible for their own learning and time management. Level 7 GAT360 PC3993

Game Project: PreProduction	15
Game Project: Pre-Production focuses on the skills and abilities required to formulate a group and manage the pre-production of a game development project. With creative thinking and project scope at the forefront, the team goal is to reach and agree upon an understanding of the team’s strengths and weakness before deciding on a game to develop. The team needs to be able to communicate the project, idea and scope through presentation, documents and a playable prototype. These pre-production submissions are all designed to gear the students towards the start of future productions. Level 7 GDV310 PC3993

Game Project: Alpha	30
Game Project: Alpha allows development of the team’s design from the previous component with students needing to work efficiently and adhere to a schedule to be successful in this component. The quality of the implementation, and the development processes undertaken both affect the final grade as student utilise the best practices learnt during the course. Level 7 GDV320 PC3993

Game Project: Gold	30
Game Project: Gold develops the previous two components to completion. This portion of the project gives the students the ability to refine, bug fix, and promote their projects, both internally and externally. Level 7 GDV330 PC3993

Portfolio Presentation and Critique	15
Portfolio Presentation and Critique focuses on individual investigation and discovery. Students present their work to peer groups and industry professionals as a demo reel and/or web-based portfolio using their own artefacts and with an emphasis on marketability, industry expectation, and presentation. Process and progress will be documented and presented alongside the portfolio and it is key to demonstrate evidence of combining conceptual, critical and creative thinking, strong technical and communication skills in partnership with the imagination so crucial in developing a personal vision. Level 7 GAT330 PC3993

Part-time Study

Our part-time study options are designed with flexibility in mind, allowing you to balance your education with other life commitments. With part-time study at Media Design School, you can tailor your learning experience to fit your unique schedule and needs. We’re here to support you in achieving your academic goals while accommodating your busy lifestyle.

If you're serious about fast-tracking your way into the games industry, enrol in our dedicated Game Art course that we've specially designed to mirror industry. Over three years, this course will help you develop your artistic style and technical skills through a combination of traditional and digital art practices, and the use of industry-standard software.

You will collaborate in groups of artists and programmers on multiple game projects while developing a professional portfolio, where you will gain the necessary skills to enter the industry.

Character Artist

Be responsible for designing and creating highly detailed, visually stunning characters for games. Ensure characters are consistent with the games' style, and push the boundaries of character design and art direction.

Environment Artist

Be responsible for designing and creating the immersive worlds and settings where gameplay takes place. This role involves building detailed 3D environments, including landscapes, buildings, and props, to bring the game world to life.

Technical Artist

Bridge the gap between the art and programming teams, ensuring that artistic visions are fully realised within the technical constraints of a game. This role involves optimising assets, developing shaders, and troubleshooting performance issues while also creating tools and workflows that streamline the production pipeline. Technical Artists are crucial in balancing visual quality with game performance, combining creative skills with technical know-how.